An American Werewolf in London. Central conflicts are with their families and with the supercilious students at the local college, with a bicycle race as the final proving ground. Boothe, Powers. And Faye Dunaway, as the boy's estranged mother, a neurotic fasion designer, is plain embarrassing.
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The Predator R Just like all the other sequels, this one misses what made the original film so subversive. Similarly, leering shots of Pisier in sexy outfits or less nudge the picture into bland male fantasy. Boothe was the last guy you'd expect to see giving undercover cop Al Pacino advice on which bandanna corresponds with which sex act in "Cruising" , for instance, but his sole scene was memorable. Viewers who've seen and survived all of Burt Reynolds's fast-car flicks will know what they're getting into here, and find a pleasingly low-key, funny film of its kind, with Susan George playing a rambunctiously bawdy sexpot as only she can. The use of period music is particularly grating, but Voight and Fonda both won Academy Awards for their almost redemptive performances. Although the drama is sometimes heavy-handed and the film sometimes becomes too preachy, the message is real and the performances make the story credible. Robert Benton's directorial debut is a period piece in two senses -- it evokes both the outlaw spirit of the West during the Civil War, when it takes place, and the cynical disillusionment of so many American films of the early s, when it was made.
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The bittersweet nostalgia and wry observations of teenage growing pains that was so lovingly evoked in the earlier film looks flat and artificial here. Something of a thematic predecessor to the Sylvester Stallone hit First Blood , this grim melodrama depicts the travails of four Green Berets who return to the U. He also illustrated scores of covers for "TV Guide," packing abundant visual excitement into that magazine's very small canvas. Although director Rosenberg Voyage of the Damned does manage to keep us knotted with tension at the mere prospect of being frightened, the film is flat, dull, and literal-minded. Instead of building the movie around a weasely Tinseltown player, the film concerns one Bobby Bowfinger, an enthusiastic wannabe in the Ed Wood mold.
Sign in. It's quite understandable when fragile investigator Will Graham William L. The real deal, b. Bridges, Jeff. As a down-on-her-luck Motown singer, Cynthia Erivo sings numerous covers and makes an impression among better-known actors.